Asem Ansari

From the Artist: "At Artist Trekker, you will find four of my watercolors. All four have a similar style and treatment of texture that I like to do in watercolor. If you notice carefully, the work Foggy Waterfront has the grainy texture, clots that create various reflective forms in water. Similarly, the trend of texture grain, dripping and sedimentation of color in the Breakfast in Courtyard captures the atmosphere and life in rural Bangladesh. The other two, Ritualistic Slab from Past and Big Date in Old Dhaka (Boro Katara) represents the texture of stone and terra-cotta."

AA Big Gate In Old Dhaka

Big Gate in Old Dhaka (Boro Katra)

watercolor on paper. h22 x w15 inches. SOLD.

Asem Ansari

Breakfast in Courtyard

watercolor on paper. h18 x w24 inches. $700

AA Foggy Waterfront

Foggy Waterfront

watercolor on paper. h15 x w11 inches. $500

AA Ritualistic Slab From Past

Ritualistic Slab from Past

watercolor on paper. h16 x w12 inches. $500

Asem Ansari

From the Artist:
I’m always fascinated by texture–texture of objects and surfaces. The kind that gives me feeling of touch. Texture can come from soil, clay, mud, sand, brick, concrete, wood, iron, human body, animal, water, sky, moon, you name it. Texture, the sense of touch generates feelings of real to surreal and that juxtapose color, space, and forms. In a way, my paintings are expression of experience, mixture of visual and intellectual exercise and understanding life. I am keen on representing my surroundings, where I come from, and where I belong, as it identifies my paintings. Many elements come from rural Bangladesh like clay-hut, muddy courtyard, bamboo fences, haystack, water, boat, human, and animal. In many of my paintings, moon plays an important role–sometime romantic, sometime cosmic, and at other times to depict the eternal and the timeless. Generally, use of mixed color is noticeable in my work; this is probably what makes my paintings identifiable in the crowded art world.

To create texture on my canvas, I use palette knife, matches-sticks, toothpicks, essentially anything I need with thick paints; sometimes I use sand, fabric, paper to get the right effect, feeling and mood. Even in my watercolors, I always try to create texture by sedimentation of paint ingredients with water, dripping, clotting, cracking, and graining on wet paper.